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Article | 11-March-2021

Sovereign Futures in Neshnabé Speculative Fiction

landscape’ (Topash-Caldwell, 2020, p. 84). The films screened at the Pokagon community center in the late spring of 2019 are part of a larger trend in Indigenous-made media in recent years. These films inspire contemplations of how traditional knowledge and community-specific values inform Indigenous agency in alternative realities. Indigenous futurisms as expressed in works of speculative or science fiction2 is a conceptual rejection of theoretical, institutional, and political projects—both in the

BLAIRE TOPASH-CALDWELL

Borderlands, Volume 19 , ISSUE 2, 29–62

Article | 11-March-2021

Radical Traversals

Indigenous worlds into being throughout North America. This article examines a digital music collection called the Indigenous Futurisms Mixtape (2014) highlighting the ways in which sound generates an auditory spatiality for decolonial imagination through the affective work of interpretive engagement with music. Auditory spatiality relates to the dimensional contours of sound properties of listening and occupying or producing a space, especially in cases where one takes up space with sound. It also

SIERRA EDD

Borderlands, Volume 19 , ISSUE 2, 63–96

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